Ont Road

Ont Road

Monday, June 5, 2023

Gag (USA) / Neuroot (Netherlands) - Live in Kuala Lumpur, 06/05/2023

Q: What to do when there is two touring international bands playing in KL are playing at two separate gigs on the same night? 

A: Pick the one you want to go to the most, buy the ticket, and then come up with a secret side quest for possibly attending both on the same night!

GAG

The night started at CERO in Petaling Jaya, an established music & arts space, who are currently in their second or third different building. The gig had sold out well in advance, and it was pretty much a full house for opening act NO TITLE from Negeri Sembilian. The crowd were really into their mid paced party hardcore mosh style, and speaking of the crowd, it was a fairly young audience on this occasion, and for once I felt like I was in the top 10% of oldest people there. Next up were RECT from Kuala Lumpur, who brought their fast punky hardcore crusty style, and the crowd were once again 'going off' throughout the set - I enjoyed them too, and I'll be definitely going to see them live again. After their set, it was announced that PIRI REIS had pulled out of the show (rightfully so), due to an emergency family matter. Initially I was disappointed because I have been wanting to see their Skramz style for some time, yet in the back of my mind, I knew this would make the side quest a more likely scenario. The anticipation for GAG, from USA, was strong. Everyone was sat on the floor in front of the stage excited and eager for them to play. When they came out, and blasted into their first song, the pit went mental - bodies and limbs all over the place for the next 15 minutes of their blistering set of hardcore punk. There were absolute scenes! It's often quite difficult for non-punk / hardcore people to understand the concept of making the effort to go to a gig, for a 15 minute set, but when you enjoy and appreciate it, those 15 minutes take you through a whirlwind of emotions and energy, which is a rush of blood to the head and is cathartic in a way that drugs would make someone feel, without the comedown! And just like that it was all over, and it wasn't even 10pm yet!

Before I continue the story of night, I have to go into the back story of what happened to GAG on their SE Asia leg of their world tour, because it is testament to the spirit of punk rock that is some circumstances, the show must go on! The story might be slightly inaccurate in some of the details, as I heard it verbally from a friend of mine, but the general aspect of it is definitely accurate. So here goes, about a week before the KL show they were playing shows in Indonesia, and they received a phone call from the family of two of the band members who ae brothers, informing them that an immediate family member had just passed away. The two brothers then rightfully so, booked a flight home. The rest of the band, not wanting to cancel the tour, made some structural adjustments, swapping some instruments around, and then decided to ask the local promoters for the subsequent shows, to find someone who was willing to learn the songs at short notice, and step in to play bass for the different shows in different countries they had left on this leg of the tour. This is where Dean, who is one of the members of the  Alt+ collective that booked the show, stepped in, learnt all the songs, and did a sterling job playing live with GAG for their set in KL. That for me embodies the spirit of punk rock right there!

With the main quest completed, I decided to begin the side quest. Some friends of mine from Sarawak had travelled over for the show, so I offered my hospitality to them, and they happily obliged to join me. I booked a taxi, and we made the 40 minute journey to the other side of town, arriving at RUMAH API to find that there were still some bands left to play. We enjoyed a few beers & disco dances in the bar, and the first band I watched was SOUL SAVIOUR (an obvious No Use For A Name reference), whom I have been wanting to see for some time. They played classic mid 90s US punk rock, with a nod to the usual bands of that era, and it was thoroughly enjoyable. Then we got to see the legendary NEUROOT from Holland, who are an anti-fascist punk-rock band who have been around since the 1980s! This was a great opportunity for a rare box ticking exercise, and they were relentlessly punishing throughout their set. What an experience to see such a legendary band here in KL! 

NEUROOT

I went home very happy, knowing that I had managed to get to see both international touring bands, as well as some good local support bands. Perhaps in the future, the local promoters could have a bit more open dialogue about future bookings, so that this situation can be prevented in the future, gigs can be combined, and then all of the punks would be able to experience both bands, because let's face it, international touring bands from Europe & the USA are few and far between here, so best to try and maximise the experience for the audience (and the bands themselves) in the future. Despite it all, much respect and kudos for RUMAH API and ALT+ for continuing to bring in and book shows for international bands, despite the pressures, challenges, and risks that come with it. As a dormant promoter in the UK myself, I can tell you that what they have to deal with makes our role of booking &  promoting in the UK seem like an absolute breeze, so hats off and huge respect to all the people involved in those collectives. 

Plague of Happiness, No Good, Republic of Brickfields & Others, Live @ Rock The World Fest, Bukit Jalil National Stadium, Kuala Lumpur, Malaysia, 03/12/2022


Plague of Happiness


In their 20th anniversary of the Rock the World Festival, the promoters put together a stacked bill which encompassed a diverse range of styles representing some of the best artists that Malaysia has to offer, whilst still having a emphasis on the heavier side of the scene. I discovered this event at the last minute, and after taking one quick look at the line up, I decided this was a perfect opportunity to get a taste of what Malaysia has to offer, whilst seizing on the moment to see some bands I have wanted to see for quite some time. 


The event took place inside the Bukit Jalil National Stadium, where there were two stages set up sided by side behind one of the goals. The running track area was open for standing room, and all the seats were open for easy viewing. In the concourse there were tons of food & beverage stands, and merchandise / stalls from a vast array of vendors. I'd say this event was something akin to Leeds/Reading for the Malaysian scene, given the line up of bands on offer. 30 bands over 13+ hours, with a 10am start was going to be a massive slog, so I rocked up a bit later on to catch the first band I wanted to see. However, upon arrival, the bands were already two hours behind schedule, so there was going to be some catching up to do later on in the day.

A perspective from the seats - early on when it wasn't so crowded

Before I focus in on a few of the bands that totally blew me away, I'll give you a run down of most of the other bands that I saw, and this should serve as a good starting point for exploring bands in the Malaysian scene further.

Restraint

  • Triangle - A heavy new wave of hardcore, absolutely crushing impact, and mosh-tastic vibes.
  • Margasatwa - A hippy indie band fully embracing the vibes of the 70s.
  • Restraint - Straight up 90s New York style hardcore - Kuala Lumpur representing.
  • The Impatient Sisters - Feel good bubblegum indie pop.
  • The Padangs - Heavy as fuck modern & sightly experimental metalcore.
  • Pop Shuvit - A veteran new metal style band, enjoyable!
  • One Buck Short - Classic 90s punk explosion band that often support the bigger bands when they play in South East Asia.
  • Gerhana Skacinta - Traditional ska fused with Asian vibes - absolutely brilliant!
  • I saw many more bands, but it's been six months, and this time I didn't make any notes at the show, so my memory is a little hazy.
The first band which I was totally buzzed about seeing were REPUBLIC OF BRICKFIELDS from Kuala Lumpur. They are a veteran reggae band that have been plugging away for years on the scene. They were wedged into the line up perfectly in the middle of the day, for the fans to enjoy some relaxed vibes. It's not as easy for Malaysians (compared to Westerners) to enjoy the freedom and lack of judgement to be alternative, so to see these guys up there, loud and proud, with their long term contributions to alternative music scene, along with a large crowd enjoying the buzz, was a great feeling.

Republic of Brickfields

Next up on the hotlist is NO GOOD from Kelantan. A post punk band, emanating from Malaysia's most religiously conservative state, is quite the oxymoron. In recent years this band has exploded into the mainstream, and have become super popular in the whole of the music scene, yet they are still true to their roots, and still play the smaller punk venues in and around Malaysia, as well as the bigger gigs and festivals. What makes them unique, is not only do they sing in the Malaysian language, they sing with the dialect of Kelantanese, which makes them refreshing and interesting for the listener. They are all over NME Asia if you want to read more about them. When they hit the stage, the whole of the standing area erupted into a mosh / pogo, and all I could here was the crowd shouting back the lyrics to me, in the same Kelantanese dialogue. The energy sustained for their whole set, and the crowd were rocking to and hanging on to their every word. What a show! I was originally first planning to see them at a smaller punk show, but I wasn't able to make it at the last minute. However, I think I preferred seeing this as an introduction to the band, because it was an unreal experience, and great to see just how well loved they are amongst Malaysian music fans.

No Good

To top it all off, there was PLAGUE OF HAPPINESS from Johor, another band I've been desperate to see but couldn't make it work. They are the most popular ska punk band in Malaysia, and OMG, do they attract a crowd! It was paralleled to the experience during No Good. The whole place erupted when they started playing, and there was skanking in the whole of the standing area throughout their whole set. There really is no better feeling in live music than a full crowd of thousand of people, skanking and singing along in unison . It was a real treat to see them in this capacity, and I am looking forward to seeing them at a smaller show in Kota Kinabalu, Sabah, on their upcoming Dominion tour. 

Adult Lemonade

So that was that. If you are interested & curious about alternative music in Malaysia, then I would fully recommend this festival. The bands play for no longer than 15-20 minutes, and it serves as a way to get a perfect introduction to what the scene has to offer. In addition to this, the ticket price was only around 100RM (£20!) which is incredible value for an event of this magnitude. Do note that there is no alcohol sold at the event (unless you find the secret vendor that sells 'Adult Lemonade'), so it's best to smuggle some in, as the security was slack, and there was no patting down the body on the way in. Recently, I was pleased to hear that Rock the World Festival will be returning in December 2023, and work permitting, I look forward to attending this amazing festival once again. 

Let's do it again!